The intersectional content of art can lead to a marginal experience as an artist. Seeing this in his upbringing, Makoto Fujimara talks about art as communication and how we can see ourselves as God's poems, God's masterpieces.
Guest: Makoto Fujimura
Interview on Faith, Vocation, and Hope
Princeton Theological Seminary, 2017
Makoto Fujimura, recently appointed Director of Fuller's Brehm Center, is an artist, writer, and speaker who is recognized worldwide as a cultural shaper. Fujimura’s work is represented by Artrue International and has been exhibited at galleries around the world, including Dillon Gallery in New York, Sato Museum in Tokyo, The Contemporary Museum of Tokyo, Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, and Vienna’s Belvedere Museum. He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist Susie Ibarra.
A popular speaker, he has lectured at numerous conferences, universities and museums, including the Aspen Institute, Yale and Princeton Universities, Sato Museum and the Phoenix Art Museum. Fujimura founded the International Arts Movement in 1992. Fujimura’s book Refractions: A Journey of Faith, Art and Culture, is a collection of essays bringing together people of all backgrounds in a conversation and meditation on culture, art, and humanity. In celebration of the 400th Anniversary of the King James Bible, Crossway Publishing commissioned and published The Four Holy Gospels, featuring Fujimura’s illuminations of the sacred texts.